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"This chart giving
Dudley's version
of southern Africa is unusual because, until recently, it was
practically unknown, nor was it publicised in articles on maps
of Africa".
(Norwich, p. 283). According to Norwich, this map is
rare and is "only found in book II, and not in
the atlas volume" of Dudley's
Arcano del Mare.
The chart is from
Dudley's
Dell'
Arcano Del Mare, di D. Ruberto Dudleo Duca di Nortumbria e Conte
di Warwich . . . libri sei . . . In Firenze, Nella Stamperia di
Francesco Onofri. 1646.
There was a second edition of the atlas in 1661.
The
Arcano del
mare
(Mystery of the Sea) was a monumental and totally original task
with nearly 150 charts. In the quantity of charts, it was not
surpassed until the French sea atlases of the 18th
century. The charts were the first to be based
on Mercator's projections as corrected by Edward Wright, the
first to show prevailing winds and currents in the main harbors
and anchorages, the first to give magnetic declination, and the
first sea atlas complied by an Englishman.
The chart shows all of Africa from just south of the
Equator. At the bottom right, there is an inset map of the Horn
of Africa south to just below the island of Zanzibar and the
islands of the Seychelles. A sailing ship is off South Africa
and a compass rose is in the south Atlantic. Inland, the
kingdoms of Monomotapa, Cefala, and Ethiopia are identified.
This example does not have "XVIII"
and "L°2°" at the end of the title as in the Norwich example
(see Norwich, Map #246).
Dudley
generally ignored the style of charts in use at the time. He
showed lines of latitude and longitude and omitted all compass
lines. In doing so, his purpose was more intellectual than
practical: techniques for determining longitude at sea were not
refined until more than two centuries later. The charts are
based on those by English and other pilots, and it is generally
accepted that the work was both scientific and accurate for the
time. For southern Africa,
Dudley
used manuscript charts, possibly a portolan covering the voyage
of John Davis to India in 1601, as well as the maps of southern
Africa by Van Linschoten in 1596.
The unique appearance of this chart with its strength
and flourishes is
distinctively
Italian Baroque in style. This is due to the fine engraving of
Antonio Francesco Lucini.
Lucini was born in
Florence c. 1610. , Lucini states that he worked on the plates
in seclusion for twelve years in an obscure Tuscan village,
using up to no less than 5,000 lbs (2,268 kg) of copper.
According to Lucini, the
Arcano del Mare
took forty years to prepare and twelve to execute. (Sotheby's
Catalogue, Wardington Sale, 2005)
Sir Robert Dudley
(1573-1649), was the illegitimate or possibly legitimate son of
Lord Robert Dudley, Earl of Leicester, a favorite of Queen
Elizabeth I. Unable to establish his claim to the title of Earl
of Leicester, Dudley left England in 1605. Arriving in Florence,
Dudley entered the service of Cosimo II, Grand Duke of Tuscany,
as an engineer and naval commander. In 1646, Dudley published
Arcano
del mare,
written in Italian by Dudley himself. The atlas was
twelve years in the making, and the main innovation lay in its
conception of a world atlas of charts, both general ocean charts
and detailed surveys, covering all the rival spheres of European
dominion: Spanish, English, French, and Dutch.
Dudley's Arcano
del
mare is
one of the greatest maritime atlases of the world and one of the
most complex ever produced.
Dudley's work was
the only exception to the total dominance of sea-atlas
production by the Dutch for nearly a century.
References: Norwich, Map #246. Sotheby's
Catalogue, Wardington Sale, 2005. Not in Tooley.
Very good; slight
age-browning on fold, which has been expertly repaired on verso
in sea area. Some of the charts, such as this one, were folded
to fit into the folio size atlas.
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